Turning and Twiddling Knobs for Half HIS Life
Discover the Story Behind the Tracks
Welcome to the “Story” page—a chronological journey through Benfay’s evolution as a musician, shaped by experimental sound and creative exploration. Here, you can browse photos, videos, and audio clips that capture key moments at each stage of his life. Together, these reflections illustrate how curiosity and dedication have driven his music forward, one chapter at a time.
A Surreal Leap into the Netlabel Future
In March 2000, there is a diary entry where Benfay notes having dinner at his father’s place and discussing his future—especially new opportunities arising from the internet. That conversation proved pivotal, as it led him to send his music to a netlabel the very next day. Although he can’t recall exactly how he discovered the Thinner netlabel, he clearly remembers creating the first track, “Time Test,” that night using ReBirth and a self-built Reaktor (Generator/Transformator) ensemble. This ensemble consisted of four sample players, enabling him to mix four loops that he had generated in ReBirth. Once completed, he sent the track to Sebastian Redenz at Thinnerism.com, who immediately requested more music—an exciting demand that pushed Benfay to produce additional tracks at a rapid pace.
Finally, Benfay’s first release on Thinner was titled Carbon EP, followed soon after by Nitron EP. Interestingly, the track that sparked the entire process, “Time Test,” ended up on the second EP. For him, this was a significant milestone. Looking back on it now, the experience feels somewhat surreal—especially in an era where streaming has become commonplace. At the time, giving away high-quality music for free felt almost like piracy, yet he and his peers sensed the shape of things to come. In retrospect, it is striking to recall that around the year 2000, CD sales were at their peak in the United States.

One in a Million
Time Test
Rheas Blues
Crossing Borders: The Thinner Collective in Canada
In March 2003, the Thinner crew heading to Canada offered a broad spectrum of electronic music talent. Dennis DeSantis, composer and member of the Ableton team, contributed his technical expertise and intricate production techniques. Montreal’s own Pheek brought local flavor with a forward-thinking minimal style. Marko Fürstenberg delivered his signature dubtechno, rich in atmosphere and depth. Niels Jensen—recognized for his work in Dialogue and with Morris Audio—added a refined minimal house dimension. Joerg Schuster, known both as sensual physics and digitalverein, brought immersive dub-influenced atmospheres to the mix. Meanwhile, Marsen Jules (Krill Minima) introduced dreamlike ambient layers, underscoring his knack for lush sonic environments. Finally, Benfay provided a melodic touch, rounding out the Thinner showcase with an eclectic and memorable live performance.


Thinner, founded by Sebastian Redenz, quickly rose to prominence as one of the most innovative netaudio labels, offering high-quality MP3 releases for free. By consistently attracting thousands of monthly visitors, Thinner demonstrated the viability of blending legal downloads with commercial vinyl pressings. In August 2002, the label forged a friendship and partnership with the Montreal-based imprint Epsilonlab. This collaboration soon led to a Thinner showcase in Montreal in March 2003, marking an important step toward expanding the label’s presence beyond Europe and highlighting the growing global interest in minimal tech-house, ambient-dub, and experimental electronic music.


Thinner Records and the Montreal collective Syndroma hosted a two-night showcase celebrating cutting-edge electronic music. Held at the SAT and Galerie Rouje, these gatherings embodied the forward-thinking spirit of the netlabel ethos, bringing people together under one roof to explore the emerging frontiers of sound.


Future Sounds Of Jazz // 2002 - 2003
Future Sounds of Jazz took place once a month at Dachstock Reitschule Bern, redefining its musical approach by moving away from Nu Jazz and conventional club culture toward an open blend of electronic sounds and live jazz performance. This new direction brought DJs, electronic music producers, and up to four musicians together on stage, merging the energy of a live band with DJ culture in a genuine dancefloor setting—rather than a traditional concert or jam session. Dancing remained a core element, preserving the event’s disco spirit. Over time, this concept evolved into a rotating pool of talent, with established projects occasionally woven in when their contribution fit seamlessly into the overall experience.










